![]() Stravinsky began to get sources of inspiration in Bach and Beethoven for later back even further, to Machaut and Gesualdo because of all the sources to which he had access he selected those whose material he could unify to consider it their own, elaborating a line of composition completely different from Schönberg’s.Īccording to Routh, Stravinsky’s speculative doubts about musical art led him to a complex but precise and logical aesthetic because in the composition he only obeyed those laws which he considered to be part of the true nature of music, which is shown in that its principles aesthetics were based on the incessant search for order and unity. This existence of various compositional tendencies had great importance because the music ceased to have a single goal to show two opposite poles. It is shocking for many that, in the middle of the 20th century, a new music could have a foundation classical while other composers regarded it as a counterbalance to dodecaphonism. His music evolves towards a neoclassical style, reminiscent of the works of Handel and Verdi, and towards the last compositions he is inspired by Webern’s serialism.Īnd subscribe to our social channels for news and music updates: Stravinsky’s compositions give off a folkloric air, with great importance of rhythm. His early works are influenced by Wagner, Debussy and Rimsky-Korsakov, but he adds Russian and Slavic elements to his music. Stravinsky is one of the most outstanding composers of the 20th century in music for the stage, ballets and operas. Stravinsky was buried in Venice, next to the grave of his great collaborator, Diaghilev. He makes recordings of his music.ĭue to health problems, Stravinsky moved to New York, where he died on April 6, 1971. Stravinsky continued his work as a composer until the age of 85. He directs his works all over Europe and the United States, and when his wife dies he settles in Hollywood, where he marries Vera Sudeikina.Īt the age of 62 he obtained North American nationality. ![]() When Diaghilev died, he left the Russian ballet and devoted himself to instrumental music. He moves to live in Paris with the Russian ballet.ĭuring the following two years, his work culminates with the ballets Petruska and The Consecration of Spring, the latter highly controversial and a major musical scandal.ĭuring the First World War Stravinsky went to live in Switzerland, where he wrote minor works, chamber music, songs.Īt the end of the war, he returned to tour with the Russian ballet, writing works such as Pulcinella. ![]() He marries the following year with his cousin Katerina Nossenko, with whom he has three children.Īt the age of 26, the businessman Segei Diaghilev, leader of the Russian ballet, commissioned him to write his first ballet score: The Firebird, a resounding success. Stravinsky graduated in law at the age of 22, but decided that he wanted to devote himself to composition. ![]() Best Sheet Music download from our Library. Petersburg.ĭuring those years at university he made contact with Rimsky-Korsakov, with whom he began to learn orchestration. His parents want him to be a lawyer, and he enters the law school of St. The son of an outstanding opera singer and a pianist, he studied piano as a child with a Rubinstein student, but never went to the conservatory. Stravinsky was born on June 17, 1882, in Oranienbaum, now Lonomosov. All in all, this set is a great way to go beyond Le Sacre and get to know Stravinsky and his music better.Igor Stravinsky (Russia, 1882 – USA, 1971) There are also a few performances conducted by Esa-Pekka Salonen and Michael Tilson Thomas. Most of the excerpts are performed by the Columbia Symphony Orchestra or other Columbia ensembles, conducted either by Stravinsky himself or by Robert Craft, his assistant in the last 20 years of his life, so they could be called definitive interpretations. the somewhat spiky, yet still stately Fanfare for a New Theater and a clever setting of The Owl and the Pussycat. The little surprises among the later works are an orchestration of a Gesualdo madrigal the brief, profound Elegy for J.F.K. Once you get past the first half of the first disc, with all the familiar themes from Le Sacre, The Firebird, and Petrushka, you get into his neo-Classical works and then his much-less-known, serial-influenced works of the 1950s and '60s. But that was relatively early in his career. ![]() That incident seems to be the one thing that everyone knows and remembers about Stravinsky and his music. It ends with a bonus track, an animated recollection by Stravinsky of the writing and premiere of Le Sacre du printemps. You get a picture of his compositional style and how it changed over the course of his career. This release really is the "essential" Stravinsky in the sense that every major piece of his entire oeuvre is represented here and in chronological order. ![]()
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